| M.A. / Liz. SEMINAR: LITERATURE INTO FILM |
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| Fall 2009 | ||||
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M.A. / Liz. Seminar: Literature into Film Thursday 4-6 Elisabeth Bronfen 1. (17.09). Introduction into the theme. Distribution of oral presentations and Sitzungsprotokolle 2. (24.09). Cinematic Language According to Alfred Hitchcock: Presentation by Johannes Binotto. 3. (1.10). Group presentations on theories of cinema and literature: *Eichenbaum, *Sklovskij, *Bazin, *Metz SHAKESPEARE AND FILM 4. (8.10). William Shakespeare's Hamlet and Asta Nielson's interpretation 5. (15.10). Laurence Olivier's and Zefirelli's Hamlet 6. (22.10). Kenneth Branagh's Hamlet THE MODERN CITY AND FILM 7. (29.10). Virginia Woolf: Mrs. Dalloway 8. (5.11). Carl Siodmak: Menschen am Sonntag 9. (12.11). Robert Altman: Short Cuts THE COLD WAR AND FILM 10. (19. 11). Cold War and Ian Fleming's novel Goldfinger: Lecture by Prof. Weichlein (University of Fribourg) 11. (26.11). Guy Hamilton's film Goldfinger LITERARY CINEMA 12. (3. 12). Todd Haynes: I'm Not There 13. (10. 12). Sydney Lumet: Before the Devil Knows You're Dead 14. (17.12). Charlie Kaufman: Synecdoche, New York Requirements: Read Julie Sanders Adaptation and Appropriation as well as *Robert Stam's "Introduction: The Theory and Practice of Adaption" before the class begins. Take part in one of the group presentations on cinema and literature, as well as write a Sitzungsprotokoll for one of the sessions. Procure your own copy of both the literary texts and well as the films to be discussed in the course. Texts marked * are in a class Binder in the ES library, along with additional material. Students who wish to write a paper should discuss this with the instructor or her assistants.
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| Last Updated ( Monday, 11 May 2009 19:55 ) | ||||